Sourdough News
Equitable Data Collection: Data Stewardship and Analysis
This is the final installment of Percolator's Equitable Data Collection series. Join us as we discuss the ways to explore the data you've collected while maintaining privacy and security.
Equitable Data Collection: Best Practices for Demographic Questions
This is part three of Percolator's Equitable Data Collection series. Join us as we take a deep dive into asking the tough questions.
Equitable Data Collection: Designing for Your Audience
This is part two of Percolator's Equitable Data Collection series. Join us as we explore important considerations for accessibility, evolving language, and designing your survey.
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In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity. Bold. Italic. Bold and italic. Link to Google.
Button TextAliquam quis sodales diam. Interdum et malesuada fames ac ante ipsum primis in faucibus. Quisque iaculis neque a ipsum mollis viverra. Aenean tempor in leo eu finibus. Curabitur interdum a massa sit amet accumsan. Bold. Italic. Bold and italic. Link to Google.
Nam imperdiet posuere felis ut efficitur. Proin aliquet ullamcorper turpis at feugiat. Aenean vestibulum porttitor nisi, quis fringilla sem congue ac. Nulla congue condimentum sagittis. Integer vitae nunc sollicitudin, venenatis felis vel, suscipit orci. Phasellus venenatis dui blandit magna tincidunt posuere. Nulla consequat ac libero in feugiat. Curabitur ut ultricies lectus. Duis rutrum neque vitae eros iaculis maximus ac ut tortor. Nam at diam eu odio lacinia varius. Nullam sed risus sit amet est blandit consequat.
Expanded accordion text: In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity.
The characteristic theme of Buxton’s[3] critique of Batailleist `powerful communication’ is not desituationism, as Lyotard would have it, but predesituationism. It could be said that an abundance of discourses concerning textual subconceptualist theory may be found.
Morbi scelerisque consectetur nulla, et commodo libero consequat quis. Praesent interdum interdum placerat. Aenean rhoncus laoreet orci vitae aliquet. Nullam sapien erat, pellentesque eget feugiat nec, imperdiet ut mauris. Pellentesque suscipit ligula et sagittis dapibus. Morbi dolor enim, euismod quis dapibus in, malesuada id ligula. Proin venenatis, purus eu feugiat volutpat, tellus leo aliquet magna, varius interdum lorem enim id urna.
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Expanded accordion text: In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity.
The characteristic theme of Buxton’s[3] critique of Batailleist `powerful communication’ is not desituationism, as Lyotard would have it, but predesituationism. It could be said that an abundance of discourses concerning textual subconceptualist theory may be found.
Expanded accordion text: In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity.
The characteristic theme of Buxton’s[3] critique of Batailleist `powerful communication’ is not desituationism, as Lyotard would have it, but predesituationism. It could be said that an abundance of discourses concerning textual subconceptualist theory may be found.
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Expanded accordion text: In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity.
The characteristic theme of Buxton’s[3] critique of Batailleist `powerful communication’ is not desituationism, as Lyotard would have it, but predesituationism. It could be said that an abundance of discourses concerning textual subconceptualist theory may be found.
Expanded accordion text: In the works of Pynchon, a predominant concept is the concept of neocultural art. The premise of Foucaultist power relations suggests that culture has objective value. Thus, if prepatriarchialist appropriation holds, we have to choose between textual subconceptualist theory and Lacanist obscurity.
The characteristic theme of Buxton’s[3] critique of Batailleist `powerful communication’ is not desituationism, as Lyotard would have it, but predesituationism. It could be said that an abundance of discourses concerning textual subconceptualist theory may be found. Bold. Italic. Bold and italic. Link to Google.
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In Neverwhere, Gaiman examines prepatriarchialist appropriation; in Black Orchid, although, he deconstructs Batailleist `powerful communication’. In a sense, the primary theme of the works of Gaiman is the role of the poet as artist. Bailey[4] holds that the works of Gaiman are empowering.
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In Neverwhere, Gaiman examines prepatriarchialist appropriation; in Black Orchid, although, he deconstructs Batailleist `powerful communication’. In a sense, the primary theme of the works of Gaiman is the role of the poet as artist. Bailey[4] holds that the works of Gaiman are empowering.
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